Song vocal range · J-Pop
"Akuta no Heya wa Sabiiro ni Shizumu (芥の部屋は錆色に沈む)" by Tatsuya Kitani — Vocal Range & Karaoke Key
The vocal range of "Akuta no Heya wa Sabiiro ni Shizumu (芥の部屋は錆色に沈む)" by Tatsuya Kitani is F#2 to B4 (29 semitones, about 2.4 octaves). The highest chest-voice note is B4.
Notes are in scientific pitch notation (C4 = middle C). Japanese karaoke notation is shown in parentheses.
| Highest note | B4 (hiB) |
|---|---|
| Lowest note | F#2 (lowF#) |
| Chest-voice ceiling | B4 (hiB) |
| Range | 29 semitones ≈ 2.4 octaves |
| Original key | — |
| BPM | — |
| Genre | J-Pop |
Can you sing it in the original key?
KKTI measures real voices (free, 30 seconds). The verdicts below use the measured averages: a comfortable chest-voice ceiling of about C5 for men (n=45) and D#5 for women (n=100), compared with this song's chest-voice ceiling of B4.
Averages hide a 3–4 semitone spread between singers. The table below gives the key for your ceiling.
Recommended key by your highest chest-voice note
| Your highest chest-voice note | Recommended key for this song |
|---|---|
| E4 | Transpose down 7 semitones (key −7) |
| F4 | Transpose down 6 semitones (key −6) |
| F#4 | Transpose down 5 semitones (key −5) |
| G4 | Transpose down 4 semitones (key −4) |
| G#4 | Transpose down 3 semitones (key −3) |
| A4 | Transpose down 2 semitones (key −2) |
| A#4 | Transpose down 1 semitone (key −1) |
| B4 | Original key, just barely (headroom +0) |
| C5 | Original key, just barely (headroom +1) |
| C#5 | Original key works (headroom +2) |
| D5 | Original key works (headroom +3) |
| D#5 | Original key works (headroom +4) |
| E5 | Original key works (headroom +5) |
| F5 | Original key works (headroom +6) |
| F#5 | Original key works (headroom +7) |
| G5 | Original key works (headroom +8) |
| G#5 | Original key works (headroom +9) |
| A5 | Original key works (headroom +10) |
"Key −3" means transposing the song down three semitones on the karaoke machine. Lowering the key also lowers the lowest note (F#2 in the original key), so very wide songs can sink in the verses.
Reading the numbers
The range is the distance from the lowest to the highest sung note in the original recording. The chest-voice ceiling is the highest note sung without falsetto; it is what decides whether the chorus is comfortable. Japanese karaoke apps write notes as lowA–lowG#, mid1A–mid1G#, mid2A–mid2G#, hiA–hiG#, hihiA–hihiG#: mid2G = G4, hiA = A4, hiC = C5, hihiA = A5.
FAQ
What is the vocal range of "Akuta no Heya wa Sabiiro ni Shizumu (芥の部屋は錆色に沈む)" by Tatsuya Kitani?
F#2 to B4 — 29 semitones (about 2.4 octaves). The highest chest-voice note is B4.
Can a male singer sing "Akuta no Heya wa Sabiiro ni Shizumu (芥の部屋は錆色に沈む)" in the original key?
Based on KKTI's measured average for male singers (comfortable chest ceiling around C5, n=45): Original key, just barely (headroom +1). Individual ranges vary by 3–4 semitones, so measure your own ceiling first.
What key should a female singer use for "Akuta no Heya wa Sabiiro ni Shizumu (芥の部屋は錆色に沈む)"?
Based on KKTI's measured average for female singers (comfortable chest ceiling around D#5, n=100): Original key works (headroom +4).
More songs
- Where Our Blue Is (青のすみか) – Tatsuya Kitani (G#2 to C#5)
- Matryoshka (マトリョシカ) – Hachi (Kenshi Yonezu) (C#4 to E5)
- Scar (スカー) – Tatsuya Kitani (C#3 to C#5)
- Donut Hole (ドーナツホール) – Hachi (Kenshi Yonezu) (B3 to G5)
- Musunde Hiraite Rasetsu to Mukuro (結ンデ開イテ羅刹ト骸) – Hachi (Kenshi Yonezu) (A3 to D5)
- Cinnamon – Tatsuya Kitani (A#2 to A4)
All 200 songs with vocal ranges (EN) → · 「芥の部屋は錆色に沈む」の日本語ページ →